Navarasa- The Nine Moods

March 10th, 2008 by Anjali

Learning Navarasa is an important session for a student of dance. Here the teacher explains about different facial expressions, how and when it is used. It is the most exciting session for the students to make funny faces. Imagine a mother busy in the kitchen and her child spills a bottle of oil on the floor. Guess what will be the feeling like. In my case it is surely going to be Raudra. And then followed by a Tandava. :)

Coming back to my point, so What is Navarasa ?

Rasa is about human state of mind. Its about what the mind feels and the expression of the feeling thereafter. In the Bharata’s Natyashastra, Rasa is an emotion experienced by the audience created by the facial expression or the Bhava of the actor. In indian classical dance it is referred to as Rasa-abhinaya.

Mr V.P Dhananjayan in his book called “A Dancer on Dance” says Rasa means that which is being tasted or enjoyed. Hence the word Rasika is employed to denote connoisseurs. Now, the question might be asked whether Rasa comes from Bhava or Bhava from Rasa. Bhava means, that which becomes (bh00, bhav, i.e., to become), so Bhava becomes Rasa. But Rasa does not become Bhava. There is also this complementary effect on the dancer or actor.

Every Rasa corresponds to a particular Bhava. The Natyshastra has carefully described the Bhavas used to create Rasa. The following table states the nine moods (Navarasa) and the corresponding Bhava. Every Rasa is identified with a specific colour for the use in performing arts.

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RASA

BHAVA

MEANING

COLOUR

Shringar(Erotic)

Rati

Delight

Pale Light Green

Hasya (Humorous)

Hasa

Laughter

White

Karuna (Pathetic)

Shoka

Sorrow

Grey

Raudra (Terrible)

Krodh

Anger

Red

Veera (Heroic)

Utsaha

Heroism

Pale Orange

Bhayanaka (Fearful)

Bhaya

Fear

Black

Bibhatsa (Odious)

Jugupsa

Disgust

Blue

Adbhuta (Wonderous)

Vismaya

Wonder

Yellow

Shanta (Peaceful)

Calm

Peace

White

I would like to share a beautiful video on Navarasa by kalamandalam Shailaja. Note how every muscle of the face is moved to express the emotion.

In the article, Navarasa in Indian classical Dance Forms, Shubhasini Padmanathan has explained every Rasa. She says Sringara Rasa originates from the love or romance. This love emotion involves, two types one is Samyoga, and other is viyoga. Samyoga means the union of two lovers. Viyoga means the emotion which arises out of separation.

In another article written by V.P Dhananjayan he says Sringara is Beauty or Saundarya. Beauty is that which attracts the mind or appeals to a particular penchant of the mind. That is love; love is not just Rati the amorous attitude. There can be love between a child and its mother, between friends, between a teacher and disciples and of course love towards God.

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Related posts:

  1. The cause and effect of Rasa
  2. Abhinaya in Dance
  3. Alarippu
  4. Abhinaya in Dance (Part 2)
  5. Abhinaya in Dance (Part 3)

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Leave A Comment

13 responses so far ↓

  • 1 madhurani Apr 15, 2008 at 11:02 pm

    hello!!! i am so glad because i found your website and its helping me so much. thanks thanks thanks… i feel very attracted to this type of dance. my friends and i are common known as hare krishna, and in some festival in the temples we make some devotional dances but we feel that we need so much help.
    i am now traying to arrange a new dance for the little girls of our comunity for nrsimhadev festival coming soon. your webpage is helping me so much. with this dance i am very worry if we make any mistake using the wrong mudras.
    well i am following you, thanks again

    namaste
    madhurani didi
    sri chaitanya saraswat math
    venezuela, south america

  • 2 madhurani Apr 15, 2008 at 11:12 pm

    i have a question by the way… when the girls dance the people say that their faces look very serious and inexpressive, they dont show emotions actually their faces look frozen, how can we get better?
    and another think can we smile? or show slightly our teeth?

    madhurani didi

  • 3 Anjali Apr 16, 2008 at 6:01 am

    Thanks Madhurani Didi for your kind words.
    One thing you can do is explain to the dancers the meaning of the lyrics so that they know what they are dancing on. Also show them some basics of facial expressions like Anger, sorrow, wonder etc. Kids will really enjoy this session. Secondly a simile can do great wonders to a simple dance. Let them smile as they are comfortable. I wish you good luck. Hare Krishna.

  • 4 nimashi Dec 16, 2008 at 8:34 pm

    it is really help full i needed this things to write my exam and i thank for this

  • 5 Anjali Dec 17, 2008 at 4:45 pm

    Thank you Nimishi. Good luck !!!!

  • 6 Priyanka Jan 24, 2009 at 3:21 am

    Thanks!!!

  • 7 Deepthi Jan 27, 2009 at 1:59 am

    Hi,

    This is a very good website. I love bharatanatyam and am about to learn it at the age of 27 :).

    your website is very informative. Thank you so much for your efforts.

  • 8 NIKKI Dec 14, 2009 at 4:11 am

    I am a student of bharatnatyam…….and i really need it…..it is very nice….Thank You

  • 9 varsha Dec 15, 2009 at 4:21 pm

    hello… Ur attempt of giving detail is appreciated… If ur interested in giving a detail for a documentary pls mail me… I like to make documentary and i dont do it for a business… Its my passion…

  • 10 s.navanesan Dec 16, 2009 at 8:36 pm

    nice expressions

  • 11 Anjali Dec 17, 2009 at 11:19 am

    @varsha, thanks. Interesting to know about your passion. Any documentaries you can share to have a look at. Also let me know what I can do for this.

  • 12 vaishali Jun 8, 2010 at 4:50 am

    Dear Sir,

    I want know all the nine expressions in navarasa for the “NO” expression.

    Thank you,
    Siyamala

  • 13 rupasree Jun 19, 2010 at 7:46 am

    Hi Madam,

    I am bharathanatyam learning student. I have learned navarasas from this website,

    Please I want know about chetuvedha abhinayas. Please helpme

    Regards,
    Rupa